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'Live Blogging' The Oscars
Quick Preface: Everyone's definition of 'Live Blogging' is different.
For me, it's jotting down a quick note when a thought comes to my head during a
live broadcast, time-stamping it, then going back and elaborating later.
Hence, I just got done writing 5,000 words about an event that was mildly entertaining.
A three hour event dedicated to honoring a bunch of movies I've never seen
because I can't sit still for more than ten minutes.
5:50
I tuned in just in time to catch the tail end of Barbara Walters' Oscar
Special. If her asking Jamie Foxx, "How do you keep it real?" is the
highlight of my night, I'll consider the evening a success.
6:00
Chris
Connelly is co-hosting the Oscar pre-game show, which couldn’t
be more appropriate. When I was a college freshman, he defected from MTV and
temporarily had a show on ESPN called Unscripted,
which came out around the same time as Pardon the Interruption. It
aired just before PTI every weekday, and my roommate and I strategically scheduled our classes
around that hour of television.
Obviously it goes without saying that we wanted to catch PTI for its
brilliance. Unscripted, on the other hand… well, we watched that because
we liked counting how many times Connelly could extend a syllable in an attempt
to add emphasis, only to have his voice crack. There's no doubt in my mind
this will come into play later...
6:05
Nice of Spike Lee to pay homage to Kareem Abdul-Jabbar with those glasses.
6:06
ABC just showed flashbacks of what they call the three best acceptance speeches
in Oscar history. Which got me thinking…
Everyone bitches about how long and boring the Oscars are. You want to liven up
this ceremony? Make it a requirement that Roberto Benigni has to be involved in
some way, every single year. It doesn’t matter how you do it, but I recommend
putting him in a small cage near the front of the stage, strategically
tranquilizing him so he remains comatose until someone’s accepting an award for
cinematography, animation, or makeup. Would you rather listen to an artsy
douche thank a bunch of meaningless people, or watch a hyperactive Italian
systematically dismantle an iron cage in a display that would make the Tasmanian
Devil blush? I know, I know, it sounds like a toss up...
6:19
I’ve never been attracted to Scarlett Johansson until tonight. Maybe it was my
bitterness towards Lost in Translation being so overrated last year, or
maybe I still can’t get the mental image of her
having sex with Benicio Del Toro’s nasty ass in an elevator. I’m not
sure. But she looks great, so I’ll probably be re-thinking my opinion on her
throughout the night. Depending on how many cleavage shots ABC can score.
6:21
Yes! Connelly, right before the final pre-ceremony commercial break: “The show is less than nine minutes awayeeeyaayeyaeee!!” (Three voice-cracks in one drawn-out syllable… I believe
we have a new record.)
6:25
If I was ever
kidnapped and forced into crossing over to bestiality, then asked by my captors
what species of animal I’d prefer injecting with my semen… I’d definitely fuck a
Mexican rat. And its name would be Penelope Cruz.
That was meant as a
compliment. (I’m single for a reason.)
6:30
It’s Chris Rock time, and I expect him to absolutely kill. The tide has
finally turned and we no longer have to put up with that Billy Crystal
bullshit. I think Brendon at
The
Superficial did a great job summing up the general public’s
frustration with Crystal’s hosting abilities: “How any one could like that whiny
fuck baffles me. You could strap me down in an oxygen tent filled with nothing
but nitrous, feed me 20 pounds of pot and tickle me - and I still wouldn’t laugh
at anything Billy Crystal has ever said.” As for
me, I wish he’d just get it over with and admit he’s blown Robin Williams on
several occasions.
6:32
Oh wait, before Rock comes out, first there’s one of those montage intros,
where they show clips from 90 different classic films that we already new
existed, and didn’t tune-in tonight to be reminded of. I think I’ll take a
piss. On my television.
6:34
I come back in to see some old footage of Charlie Chaplin walking away from
the camera, with Shrek superimposed into the scene… and one of Eminem's songs playing in the
background. I'm afraid to even ask what that was all about.
6:35
– 6:44 The
third word out of Rock’s mouth during his opening routine is “asses.” He then
proceeds to rip as many people in the audience (and Hollywood) as possible.
Jude Law, Tobey McGuire, Colin Farrell, Halle Berry… and then himself. It’s
vintage Chris Rock, minus the language. Obviously he couldn't rip through
his most lethal material, but I’m glad to see he figured out a way to
keep it somewhat clean without compromising his style, which I love. He’s not
one to hold back on anyone, anything, any place, or any race. But at the same
time he’s equally hard on himself, where he’s from, and his own race. So you
can’t really hate on him… unless you don’t like honesty. In which case… let’s
date.
I
couldn’t help but notice that roughly 90% of the cameras were focused on the
black stars in the audience during Rock’s monologue. ABC sure is proud of
themself for nabbing a black host, and they seem intent on making sure the black
presence is felt during this broadcast. For a good six or seven minutes,
the camera shots rotated between
Halle
Berry,
Morgan Freeman, Jamie Foxx, P. Diddy, Oprah, and Samuel L. Jackson…
I doubt
this will continue the entire night, but if this were to become a running theme,
and I were a cameraman or producer, I'd try sneaking in a racially confused guy
like Kevin Federline or Justin Timberlake, just to encourage future cornrow
craziness.
6:47
Time for the
first real award (I was busy trying to fix my e-mail during Best Art Direction), and it’s for Best Supporting Actor. Wait, the guy who played the
retard mechanic on Wings is also in Sideways? Okay, I’m
definitely seeing that. That guy ruled.
6:49:
Morgan Freeman takes it. He’s good at acting. This halfway makes up for
losing in 1994, when his Shawshank Redemption character was up against
the toughest overall Oscar competition I’ve ever seen. There were so many good
movies crammed into that calendar year, and they weren’t the artsy kind that
seem to hog the nominations more often than not. Forrest Gump,
Shawshank, Pulp Fiction, Legends of the Fall, Ed Wood,
Interview With the Vampire, Dumb & Dumber… and I hear Little Women,
Four Wedding and a Funeral, and Quiz Show were good as well. But
I have no desire to sit through any of those last three unless I'm faking a coma
to get attention. And only because asking someone to change the channel,
or doing it myself for that matter, would be a dead giveaway.
6:53
First commercial break. Ellen Degeneres says her American Express card “always
backs her up.” There’s got to be a good lesbian joke in there somewhere.
6:54
Time for the obligatory “Oh shit, Robin Williams is on crack and he’s
wandering towards that microphone” awards show moment, where he ends up talking
about nothing relevant at the speed of light. In the midst of ripping Joan
Rivers and doing cartoon impressions, he asks “What are we talking about?” No
one knows, so he shuts up and hands out the award for Best Animated Feature.
I’m a
little disappointed Shrek 2 didn’t win (it went to The Incredibles),
simply because it made an awkward date I had this summer somewhat enjoyable.
Which is exactly what every Oscar should be based on: how much the movie helped
me swallow my miserable life.
6:56:
Speaking of
swallowing… somewhere in the audience, Billy Crystal just noticed Robin’s
stunning pink shirt. After letting out a fake cough, he tells his wife he needs
to get a drink. He then heads backstage to take a swig from Robin’s erect
penis.
7:00
We’re only 30 minutes into this thing, and I’ve already had three Socko energy
drinks. Somehow they were out of Red Bull and Monster at the 7-11 across the
street, so I went with this local brand. It tastes better than both of the
others, so I didn't even realize how quickly I was downing the stuff. Much like
Billy Crystal, I think I’ve found my new drink of choice.
ON TO
PAGE TWO!
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